A Little Light Larkin

Coming back in the gloaming from a clandestine shopping trip for strictly non-essential things (so arrest me!) I came upon a fat hedgehog crossing in front of me; first one  I'd seen in a couple of years. It can rest assured I will never be mowing the lawn, I killed the lawn instead. Anyhow here's a happy fillip for all you quarantined gardeners today ...

The Mower
    

The mower stalled, twice; kneeling, I found   

A hedgehog jammed up against the blades,   

Killed. It had been in the long grass.

I had seen it before, and even fed it, once.   

Now I had mauled its unobtrusive world   

Unmendably. Burial was no help:

Next morning I got up and it did not.

The first day after a death, the new absence   

Is always the same; we should be careful

Of each other, we should be kind   

While there is still time.
                          
                           Philip Larkin

A Good Wall Spoiled

There's a craze to paint murals in this donkey's ass of a town. You've got a few square feet of blank  Victorian or Edwardian brickwork doing no harm to anyone and it just can't be left in peace; it has to be coated in some "artwork". We've seen it on Hessle Road and other places and it's creeping all over the place. There's even a plan to paint houses on Spring Bank in gaudy colours just because some layabouts want a grant from the Art Council or the stupid Council and they have nothing to offer the world but vandalism dressed as "community art". The themes in this case we are told were suggested by primary school children because, as is clear to any fool that has ever breathed, uneducated, uninformed 5 to 11 year old youngsters are a positive fountain of inspiration and objectivity. So the four corners of this unfortunate bridge on Chanterlands Avenue have the above garbage (Aim high, never give up, pshaw! How often young children come out with such phrases ...), a sporty theme featuring two unknown sporty people celebrating  sporty events from before many of the children born, a badly drawn collage of Hull images (including Larkin's Toad an image familiar to all Year One intake children at all primary schools) and a long "Eco" thing involving a whale, an octopus, a shark, a large green turtle, some penguins and a polar bear oh and some floating plastic bags to remind us all what sinners we are. (It seems youngsters have a very depressed view of the world and quite possibly think it is all doomed) Quite what all this has to do with Chants Avenue I haven't a clue. It's just plain old fashioned prattery. Worse though; it is condoned vandalism, a good wall spoiled.

This squat little building was once a gents' urinal now closed because of Council cuts ... which leads me to ask  who will pay to maintain this tosh because in a couple of years they'll all fade and date and you can never go back to the nice, cool red Victorian bricks that just did their job and harmed no-one.

And you can imagine the whimpers of condemnation when someone came along and put up their own shitty little "artwork"; without permission (shocking!) not at all in keeping with the theme (The horror, The horror!). I do not recall this bridge ever being 'tagged' like this before they decorated it with their murals ... Well, as ye sow, so ye shall reap

Big Phil Woz 'Ere

Grove Street

I suspect there aren't many streets which can boast it has a quote from a Philip Larkin poem just daubed as graffiti on a wall at the end of a ten foot, but this is the city of culture and we would expect nothing less. However the other offerings with  the usual clichéd priapic sketch (no doubt compensating for the "artists" own inadequacies), a fading silver sprayed FUCK (likewise) and a direction to consume the rich confirm that old saying: omnia mutantur, nhil interit.

Tide has transfigured them into Untruth.

.... What will survive of us is mud.
 

(With apologies to Mr Larkin)

A road by any other name ...

You know how towns like to honour folk by naming streets after them: so this town has a Larkin Close; an appropriately dull cul-de-sac, Alfred Gelder Street, Jameson Street, and Ferensway , of course; that local turncoat John Hotham from the civil war times gets a road along with Sir Thomas, Lord Fairfax who gets an avenue; there must be dozens more: Raich Carter Way, Blundell's Corner spring to mind as I write... just outside Hull, across the road from me, there's a short avenue named after a guy who wanted to be Lord Glencoe but somehow the connotations of bloody massacre made him change to Lord Strathcona ... so, anyway,  the other year they decided to rename Garrison Road as Roger Millward Way. I'm not sure that this is any kind of honour since Garrison Road as was is really just an extension of the dreaded A63/Castle Street, the bane of motorists' lives and a right pain in the nethers to cross at times... and I wonder how many even know about this or whether the name will catch on ... when they finally get home, will the motorists of this fair town put their feet up, wrap their hands round a well deserved hot brew and say "oh that *beeeep* traffic on Roger Millward Way was such a *beeeep* disgrace" ... nah not going to happen, ever.
I won't pretend to know anything about who or what Roger Millward was, some sporty bloke, so I've heard,  rugby league, really, really not my scene ...

I mentioned today and several times before that this road is  a pain to cross and that young men have been seen to turn into grey beard loons waiting, funeral directors have been spotted lurking for falling stock ... well some concerned person has put up a plaque to let the world know that those who wait may be gone but are not forgotten, not lost just gone before ...

The Larkin Spectacle

... and speaking of old Pip Larkin, as we were, his statue in Paragon Station has caught the attention of those who would reshape the world they see before them. Maybe he should have gone to Specsavers ...

The large cool store is closed ...

Last Saturday (May 4^th) Marks and Spencer on Whitefriargate closed after nearly ninety years of selling "cheap clothes/ Set out in simple sizes plainly/ (Knitwear, Summer Casuals, Hose,/ In Browns and greys, maroons and navy)". Truth is that M&S has been on its way out since well before old Larkin went to the inevitable. There were rumours that the store was somehow bribed not to leave Whitefriargate when St Stephens was built a decade ago. Whatever the truth the customers no longer "leave at dawn low terraced houses/ Timed for factory, yard and site" and haven't done so for generations. I haven't bought anything from M&S this century, certainly no clothing ever. Their food store became pretentious and much parodied (This is not just tosh; this is M&S  tosh ...)

 

Perhaps, though, it's not too late for a blue plaque commemorating Larkin buying his kecks at Markies ...oh,  and writing "a silly poem about nighties" .

The building with its classical columns and bronzed shop front was designed by Jones & Rigby in 1931~ish when M&S were in competition with Woolworths not only for sales but in shop design. Woolies (always a much cheaper store in price and attitude than M&S) went to that great administrator in the sky eleven years ago during the 2008 evenements. There's a wee Viking boat on the top which I've shown before but a second look won't kill you.

Those who seek more about the architectural history of Marks and Spencer's  stores could do worse than take a peek at this link.

Awkward Reverence

"From where I stand, the roof looks almost new - 
Cleaned, or restored? Someone would know: I don't..."
                                                                          Philip Larkin

For those who like church architecture and figuring out all the many phases of a building, St Margaret's offers plenty to get their teeth into. Even I, with my own modest knowledge, can spot the rounded romanesque arches of the nave leading to what I suspect are later gothic arches up in the chancel. Or so I thought but a little learning is a dangerous thing. It turns out the nave was rebuilt in the 1740s (after a spire fell onto it from the north tower!) at the same time as the chancel was also rebuilt; the arches, it turns out, are smoothed off gothic arches! (Who knew such things existed? My ignorance seems to expand with everything I learn...) This place has been altered and extended many times over the years from its origins in 1095 and you can still see bits of the original Norman building at the base of the southern tower (see yesterday's post). All this is all very well but our good friend Sir Gilbert Scott has been here at some point, restored the nave and lowered the floor level which had been raised in the 1740s rebuild. As I say the place has history in spades and I can't do it justice here. If you want more I recommend visiting the church or reading this most informative and richly illustrated guide to the church here.

The Flemish style reredos is by Bodley and dates from 1899.

Some brass and stuff up at the holy end ...

The font dates from the time of Gilbert Scott.

Here's part of the Lynn motif again this time it's the pelican in her piety atop the font cover.

I'm told this is a Henseatic trunk and has not been renovated by Gilbert Scott.

The arms of Charles II hang high above the nave. During the civil war Lynn had been held by Parliamentary forces and thwarted a siege by royalists to take it; had they done so the king may well have kept his head. Funnily enough the forces went off to try to capture Hull and failed. Maybe these arms are a reminder not to be disloyal again.

The organ in the transept dates from 1754

A fairly modern statue, colourful but a bit anodyne.

The Wicked Witch of the Wych

Here's another set I should have posted last year before the grand ennui set in. You might recall an old dead tree being reshaped in Pearson Park and you might also recall me saying there was another dead tree close by that might be available. Well most of last summer someone was busy with a grinder transforming that tree into a mix of faces and animals.

We happened to be passing this tree and saw the guy at work; he stopped and made some kind of hand gesture indicating "would I like to come up and have a closer look?" So after much struggling ( I have the acrobat skills of a hippopotamus ) I eventually got onto the scaffolding and took a few pictures.

"What did I think this was?" asks the guy, "A clown?" says I  having in mind Punch and Judy. He was not impressed, "No, it's a witch! And why would I put a witch here?" he asked (it was beginning to feel a bit like the Spanish Inquisition) I shrug, "The tree was a Wych Elm!" he says with a gleam in eye ...

Here's the nice guy with grinder and  the skill to make things appear out of the wood, his name is Julian Barnard and his work was for the Trustees of Pearson Park. He was given a brief of “poetic” (Philip Larkin's old lodgings are directly opposite and the toad figure is again another Larkin thing) The piece, which is now finished, has the title Whispering Sweet Nothings.

O where do we go now but nowhere

The final show, as it were, of the Year of Culture was a series of installations scattered about the town each consisting of several robotic arms that were supposed to move around with lights and sound (I believe the term 'music' may have been used, but it was basically just eerie noise). This junk was titled "Where Do We Go From Here?" and is described as a "thrilling mix of art and technology" ... the blurb continues "...At a time of political uncertainty at home and abroad, it also asks important questions: What kind of place do we want to live in? What role should culture play? Where do we go from here?" There's more (isn't there always?) "Where Do We Go From Here? , is a deliberate provocation designed to get individuals reflecting upon their city’s future. It invites everyone to take part in a timely conversation about art, culture and society." Yada, yada, yada ...

I came upon this very unmoving piece  as they were obviously fixing some kind of fault, so it wasn't working. However later I did cross paths with a different installation that was in full flow; the arms had lights attached and waved about a bit and there was sound to go with. (Gosh, how very sixites I thought, when robots were just coming into the work place and were seen as menacing ... ) An enthusiastic Hull person (there are some, well, at least one) grabbed me by the arm and exclaimed how brilliant and fantastic it all was... I'm afraid I used language that the clergy do not know.

So the Y of C ended not with fireworks, nor yet with a whimper; it just fizzled out possibly from exhaustion or, more likely, boredom... (Officially there was no celebration because (& I paraphrase) "It's not over yet, there's still more to come and, and ,and ..." yeah, yeah, we paid already) The gang of imps, pimps, banjo players and blow-ins from the world of Culture Incorporated responsible for this fest of dreck were all dutifully gonged by Queenie over the New Year and have not been heard of since... And while Hull is still City of Culture for another three years attention will now pass to poor old Coventry. Oh yes! the birth place of Phillip Larkin (damn Hull did him first, still...)... and Lady Godiva and, and, and ... aint culcha fun?

The Masters Bar

At the junction of Jameson Street and South Street stands this little gem of Edwardian baroque revival. It was built in 1903 and is, of course, protected by a Grade 2 listing.

I'll mention  here (without comment) an odd little poster that you may have noticed in the top photo. It's for that Larkin exhibition at the University which I posted about a few weeks ago.

The Virtual Saint Wilberforce

In Paragon Station, tucked away behind the Larkin Statue there's a machine which displays a video of this green coated 3D monstrosity claiming to be one living breathing up-to-date William Wilberforce ("I'm Hull through and through!"; "So, with others, I set about creating a movement, the first human rights movement in the world." gives you a flavour). It's supposed to be a tour-de-force of modern graphic wizardry, actually it's quite poor quality and the damn thing doesn't even come close to looking like Wilberforce and has more the look of Mr Potato Head. But that is only the beginning. All day long this ghastly display gives a repetitive narrative of self-encomiums. It's good job he's facing forward as the sunlight shining from his backside would be blinding. It is a truly awful thing to behold. It's also an absolute bugger to photograph as well which is why if you care to peer at this guy's armpit you will see my own balding potato head, basking in reflective glory.

Sudden Elegancies

Hull has its own sudden elegancies.

Philip Larkin 

The fiddling around by the Council with Queen's Gardens does mean that there is this view of the Maritime Museum, the fountain and City Hall in the distance.

New Eyes Each Year

Yet Another Larkin Event! It seems you can drive out Larkin with a pitchfork but he still comes straight back in. So this is the New Eyes Each Year thing at the Brynmor Jones library at Hull University. As Margot quipped "New Eyes Each Year" sounds like a good line for an optician and indeed there are plenty of Larkin's spectacles on show along with his shoes, razor, trousers, crayons and so on, there's even an x-ray of his head!. If, like me, you are a gawper at the debris of other people's lives then you will find yourself in a rich seam. If however you need to know just what each display means then pick up the informative pamphlet that is available or ask the helpful assistants. I found it an interesting half an hour or so; my one gripe was the ambient music. I know Larkin couldn't go a day without jazz but there can be too much of the damn stuff. But that's a petty grumble, I wear a hearing aid; normal ears might not notice it so much. So what does the passing visitor learn from all this? That he was an obsessive, a hoarder of books and correspondence, he had big feet (I'm saying nothing but he did have three lady friends on the go at the same time) and a large collection of ties; other than that his bric-a-brac is pretty unsurprising middle class stuff. Overall it's a satisfyingly dull exhibition, really, and somewhat depressing; a bit like his poetry.

Some of his books, all catalogued of course, he was a librarian after all.

Some Beatrix Potter potteries.

Mr Larkin's Olivetti word processor. (Margot took this)

His hedgehog killing machine along with an early draft of Toads.

Margot took this. She claims it's somewhat sinister but I think it's just a depressing collection of neck wear.  

Trademark spectacles.

His middle name was Arthur

He was given this little Hitler by his father so it's no surprise he kept it. It's more camp than Kampf.

I thought this was a nice chilling touch. Larkin died sometime between 2^nd and 3^rd December 1985. He never did get his pension.

The Best Remedy

Quite right! Nothing like putting your feet up with a large G&T (a pint might be pushing it but who's gonna know?) and letting some cool jazz fill the room ... This sign, part of the Larkin Trail, is on the White Hart one of his jaunts for listening to jazz and getting absolutely rat arsed. 

Old woss'is name lived 'ere.

‘It was the top flat of a house that was reputedly the American Consulate during the war, and though it might not have suited everybody, it suited me’. 

                                                                   Philip Larkin

Pip Larkin gets a small plaque for his endurance if nothing else; eighteen years in an attic flat overlooking Pearson Park. I'd liked to have shown more of the place, a large Victorian town house, but high hedges and a high gate with a 'Beware of the Dog' sign, along with sounds of said dog sniffling and growling around somewhat put me off. Visitors to next year's city of culture are duly warned.

A whisper of moths

These decorative blobs that have alighted all over town and elsewhere are supposed to be moths. Yeah, I know, you'd never have guessed. Anyhow it's from the same deep pool of idiocy that brought us fibre glass toads to celebrate the death of Philip Larkin; this time the death being celebrated is Amy Johnson's untimely demise in WW2 seventy-five years ago. Nearly sixty of these damn things have been dotted around the place. I've spotted about half a dozen so far and I can assure you I'm not going hunting for the rest. Why moths do I hear you ask? (are you still there?) Well she flew a Gypsy Moth plane, geddit? I know; stooopid. If you're remotely interested in fibre glass lepidoptery there's a gallery of mothy stuff here.